Suddenly her mom’s silence matched Jackie’s own. “Oh, my God,” she murmured in disbelief. “Are you gay?”
"Yeah," Jackie forced herself to say.
After what felt like an eternity, her mom finally responded. “I don’t know what we could have done for God to have given us a fag as a child,” she said before hanging up.
She got a call from her older brother. “He said, ‘Mom and Dad don’t want to talk to you, but I’m supposed to tell you what’s going to happen,’” Jackie recalls. “And he’s like, ‘All your cards are going to be shut off, and Mom and Dad want you to take the car and drop it off at this specific location. Your phone’s going to last for this much longer. They don’t want you coming to the house, and you’re not to contact them. You’re not going to get any money from them. Nothing. And if you don’t return the car, they’re going to report it stolen.’ And I’m just bawling. I hung up on him because I couldn’t handle it.” Her brother was so firm, so matter-of-fact, it was as if they already weren’t family.
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marvel studios is going through a moment where they could literally pick any character and make a successful movie if they wanted to. for fucks sake they made one about a team that not even most marvel comics fans really cared about, when no one was asking for a movie about them, a team that features a talking tree and a talking raccoon, and it had the fucking biggest box office of the year so far. stop giving me those weak ass excuses for the lack of female led movies
Ms. Bardugo, I loved your first books, but I was terribly disappointed to see you give in to political correctness in Ruin & Rising. You had a great story and then you ruined it with unnecessary lesbianism. Authors don't need to make statements, they just need to write good books. I hope you'll remember that in the future.
I was really tempted to ignore this because I don’t believe in giving anon wangs a platform, but the term “unnecessary lesbianism” made me laugh so hard that I caved.
Authors can write good books and make statements. I’m going to make some statements now. (Get ready.)
Queer people and queer relationships aren’t less necessary to narrative than cishet people or relationships. In fact, given the lovely emails and messages I’ve received about Tamar and Nadia (and given the existence of anon wangs like you), I’d say making queer relationships visible in young adult fiction is an excellent—and yes, necessary—idea.
I do agree that story trumps statement or we’d all just write angry pamphlets, but queer people exist both in my world and the world of the Grisha trilogy. I don’t see how including them in my work is making a statement unless that statement is “I won’t willfully ignore or exclude people in order to make a few anon wangs happy.” If that’s the statement I’m making, I’m totally down with it.
Also, I’m going to take this moment to shout out Malinda Lo, Laura Lam, Alex London, David Levithan, Emily Danforth, Emma Trevayne, Sarah Rees Brennan, Maureen Johnson, and Cassandra Clare, and to link to Malinda’s 2013 guide to LGBT in YA. Because why just give attention to bigots when you can talk about awesome books and authors instead?